All That Time
by May Stevenson
I saw two trees embracing.
One leaned on the other
as if to throw her down
But she was the upright one.
Since their twin youth, maybe she
had been pulling him toward her
all that time.
and finally almost uprooted him.
He was the thin, dry, insecure one,
the most wind-warped, you could see.
And where their tops tangled
it looked like he was crying
on her shoulder.
On the other hand, maybe he
had been trying to weaken her,
break her, or at least
make her bend
over backwards for him
just a little bit.
And all that time
she was standing up to him
the best she could.
She was the stubborn,
the straightest one, that's a fact.
But he had been willing
to change himself-
even if it was for the worse-
all that time.
At the top they looked like one
tree, where they were embracing.
It was plain they'd be
always together.
Too late now to part.
When the wind blew, you could hear
them rubbing on each other.
Taken from Good Poems for Hard Times by Garrison Keillor
Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts
Tuesday, May 13, 2008
Friday, April 18, 2008
Lonesome Whippoorwill
Whippoorwill
I wake to the sound
Whippoorwill
Achingly lonely
Whippoorwill
Calling at midnight
Whippoorwill
I join his vigil
Whippoorwill
But none comes, to be
Whippoorwill
With him or with me
Whippoorwill
It is too soon.
Whippoorwill
Whippoorwill
Whippoorwill
I wake to the sound
Whippoorwill
Achingly lonely
Whippoorwill
Calling at midnight
Whippoorwill
I join his vigil
Whippoorwill
But none comes, to be
Whippoorwill
With him or with me
Whippoorwill
It is too soon.
Whippoorwill
Whippoorwill
Whippoorwill
Tuesday, April 1, 2008
Susurrant Trees
The trees whisper of spring’s approach
While small birds sit amidst the conversation
Cocking their heads this way and that.
Listening.
Listening
To the creak of old wood
And the faint stirring of new life
Drawn from icy spring rain
And softened soil.
The birds are impatiently interrupting
The tentative susurration of the trees
With twitters and joyous song
Singing.
Singing
With the sway of branches
In bracing winds.
For they too have heard it in the air
And seen it in the strengthening light.
But the trees pay them no heed
For they are tenderly exploring
Winter’s shearing with tentative pulses
Flexing.
Flexing
Winter’s frozen toes in warm patches of sunlight.
And contemplating swollen buds for yet another season
of light and leaf and dancing shadows.
While small birds sit amidst the conversation
Cocking their heads this way and that.
Listening.
Listening
To the creak of old wood
And the faint stirring of new life
Drawn from icy spring rain
And softened soil.
The birds are impatiently interrupting
The tentative susurration of the trees
With twitters and joyous song
Singing.
Singing
With the sway of branches
In bracing winds.
For they too have heard it in the air
And seen it in the strengthening light.
But the trees pay them no heed
For they are tenderly exploring
Winter’s shearing with tentative pulses
Flexing.
Flexing
Winter’s frozen toes in warm patches of sunlight.
And contemplating swollen buds for yet another season
of light and leaf and dancing shadows.
Tuesday, March 18, 2008
Early Spring Sunrise
As the creeping dawn paled the inky blackness
to shades of gray;
from the east slivers of pale yellow
created Scherenschnitte of the bare trees.
The sun strengthened to light the long layers
of clouds with peach, orange, fuchsia.
High above in the bright pink sky
a river of birds flowed north.
Some still strong after a long night’s flight,
others straggled to keep up.
Rest was just beyond the horizon.
More used to appreciating sunset than sunrise, the drive to work was an unaccustomed pleasure.
to shades of gray;
from the east slivers of pale yellow
created Scherenschnitte of the bare trees.
The sun strengthened to light the long layers
of clouds with peach, orange, fuchsia.
High above in the bright pink sky
a river of birds flowed north.
Some still strong after a long night’s flight,
others straggled to keep up.
Rest was just beyond the horizon.
More used to appreciating sunset than sunrise, the drive to work was an unaccustomed pleasure.
Tuesday, November 20, 2007
Read to me
"Then Beo was king in that Danish castle
Shild’s son ruling as long as his father
And as loved, a famous lord of men.
And he in turn gave his people a son,
The great Healfdane, a fierce fighter
Who led the Danes to the end of his long
Life and left them four children,"
I first tried reading Beowulf when I was in my early 20s. Being a voracious reader, I assumed I would have no problem, however difficult, awkward or epic the story. At that point I had already read most of the classics, including The Iliad, The Odyssey and other long involved epic tales.
I was wrong. I could not find a rhythm in the reading. I would crawl into bed at night and struggle for an hour before putting it aside.
One night, I heaved a sigh and slapped the thin paperback on the nightstand. My boyfriend at that time looked up from reading the Canterbury Tales (he was in an Old English class) and asked what the problem was. I cursed Beowulf and its unknown author.
Beowulf is meant to be listened to, not read silently, he told me. He picked up Beowulf, opened the book to the beginning and began to read aloud.
What a difference!
As I listened to the tale of kings, and battle, monsters and glory I was one with all the generations of people who have listened to the telling of Beowulf. We finished the poem in two nights. When the story was done, I heaved a sigh of contentment for a story well told but sad that it was over.
On my way to the airport last week, I noticed that there is a movie version of Beowulf in the theaters. The name brought me back to 2 cold winter nights many years ago when I finally understood the power of the spoken word. I intend to see the movie; it is getting good reviews. I am thrilled that such a long-standing classic is being introduced to yet another generation of people in a way that they can appreciate.
Shild’s son ruling as long as his father
And as loved, a famous lord of men.
And he in turn gave his people a son,
The great Healfdane, a fierce fighter
Who led the Danes to the end of his long
Life and left them four children,"
I first tried reading Beowulf when I was in my early 20s. Being a voracious reader, I assumed I would have no problem, however difficult, awkward or epic the story. At that point I had already read most of the classics, including The Iliad, The Odyssey and other long involved epic tales.
I was wrong. I could not find a rhythm in the reading. I would crawl into bed at night and struggle for an hour before putting it aside.
One night, I heaved a sigh and slapped the thin paperback on the nightstand. My boyfriend at that time looked up from reading the Canterbury Tales (he was in an Old English class) and asked what the problem was. I cursed Beowulf and its unknown author.
Beowulf is meant to be listened to, not read silently, he told me. He picked up Beowulf, opened the book to the beginning and began to read aloud.
What a difference!
As I listened to the tale of kings, and battle, monsters and glory I was one with all the generations of people who have listened to the telling of Beowulf. We finished the poem in two nights. When the story was done, I heaved a sigh of contentment for a story well told but sad that it was over.
On my way to the airport last week, I noticed that there is a movie version of Beowulf in the theaters. The name brought me back to 2 cold winter nights many years ago when I finally understood the power of the spoken word. I intend to see the movie; it is getting good reviews. I am thrilled that such a long-standing classic is being introduced to yet another generation of people in a way that they can appreciate.
Thursday, November 8, 2007
Golden leaf
A Live Oak Leaf
How marvelous this bit of green
I hold, and soon shall throw away!
Its subtle veins, its vivid sheen,
Seem fragments of a god's array.
In all the hidden toil of earth,
Which is the more laborious part-
To rear the oak's enormous girth,
Or shape its leaves with poignant art?
Clark Ashton Smith
Friday, September 14, 2007
September
The light has changed.
Even with the visor down
The sun’s dying embers burn my eyes as I drive into the west.
The creep of darkness has begun
and will not end until the brittle cold of the longest night.
Leaves are changing
Sun kissed touches of gold and red decorate the hillsides
Glowing in the long light,
Splotches of nature’s paint that will soon run together
then turn brown and fall away.
There is a chill in the air
The kitchen floor is cold now in the morning.
When I skip across it in my robe longing for the first sip of morning’s heat
I am still warm from the comforter pulled up in the night
My bare feet are icy.
Change is good, it is inevitable.
It comes on so slowly that we do not notice
until
one day it seems to have happened over night.
Even with the visor down
The sun’s dying embers burn my eyes as I drive into the west.
The creep of darkness has begun
and will not end until the brittle cold of the longest night.
Leaves are changing
Sun kissed touches of gold and red decorate the hillsides
Glowing in the long light,
Splotches of nature’s paint that will soon run together
then turn brown and fall away.
There is a chill in the air
The kitchen floor is cold now in the morning.
When I skip across it in my robe longing for the first sip of morning’s heat
I am still warm from the comforter pulled up in the night
My bare feet are icy.
Change is good, it is inevitable.
It comes on so slowly that we do not notice
until
one day it seems to have happened over night.
Thursday, March 29, 2007
Spring
I have been reading Garrison Keillor's book, Good Poems for Hard Times. I offer you a poem.
Spring by Mary Oliver
Somewhere
a black bear
has just risen from sleep
and is staring
down the mountain.
All night
in the brisk and shallow restlesness
of early spring
I think of her,
her four black fists
flicking the gravel,
her tongue
like a red fire
touching the grass,
the cold water.
There is only one question:
how to love this world.
I think of her
rising
like a black and leafy ledge
to sharpen her claws against
the silence
of the trees
Whatever else
My life is
with its poems
and its music
and its glass cities,
it is also this dazzling darkness
coming
down the mountain,
breathing and tasting;
all day I think of her--
her white teeth,
her wordlessness,
her perfect love.
Spring by Mary Oliver
Somewhere
a black bear
has just risen from sleep
and is staring
down the mountain.
All night
in the brisk and shallow restlesness
of early spring
I think of her,
her four black fists
flicking the gravel,
her tongue
like a red fire
touching the grass,
the cold water.
There is only one question:
how to love this world.
I think of her
rising
like a black and leafy ledge
to sharpen her claws against
the silence
of the trees
Whatever else
My life is
with its poems
and its music
and its glass cities,
it is also this dazzling darkness
coming
down the mountain,
breathing and tasting;
all day I think of her--
her white teeth,
her wordlessness,
her perfect love.
Labels:
black bear,
Garrison Keillor,
Mary Oliver,
poem,
spring
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